
Here is a summary of the steps I take when performing noise reduction/restoring a 78 rpm recording based on the steps previously described:
- First pass transcription - incase the record gets damaged during cleaning!
- Clean the record - warm, lightly soapy water, rinse well and dry quickly.
- Play the record - small stylus dry run to clean out residual muck in grooves.
- Transcribe record - use optimal stylus (or styli), STEREO, FLAT preamp and 96kHz sample rate if possible.
- Save Original - important! If you recorded at 33/45rpm, correct this and any RIAA equalisation now.
- Auto De-click - forward, backward, different settings getting more aggressive.
- Selective De-click - target areas with leftover impulse noise, distortions.
- Convert to 44.1kHz - if you recorded at a higher sampling rate, now is a good time to drop back to normal.
- Manual De-click - If you are dedicated, use spectral editing mode.
- Equalise and Filter - Low pass filters (10-12kHz, 6-18dB roll-off), parametric equalisation of electric recordings, high-pass ~50Hz
- Dynamic Suppression - see previous denoising steps.
- Selective Dynamic Suppression - aggressively target distortions etc, use spectral editing mode.
- Channel Blender - Blend all frequencies to mono below ~1kHz.
- CNF First Pass - perform light noise reduction on Left and Right channels independently.
- Convert to Monaural - Blend Left and Right (if both of acceptable quality).
- CNF Second Pass - perform on monaural recording to taste.
- Enhancements - further equalisation, harmonic generation etc.
Well that is a lot of steps, but most can be done quite quickly!
Regarding the CNF, I have been using an FFT size of 2048 on the first (stereo separated pass) then 1024 on the final monaural recording. You may prefer to find out if a particular combination and order of stereo, mono and CNF size works best on what I have demonstrated on previous pages.